Jonesboro Overpass Exit Number Twelve

Feminist dada absurdity personified. Each band member subverts gender roles by enduring hours of in the makeup chair before the show, an effect that leaves the audience confused as to the sex and actual identity of each of them. Entire songs sometimes consist of free-form stream-of-conscious poetry readings layered over very involved bass guitar riffs or group chanting to a blinding chorus of fifty tambourines shaking simultaneously. Songs rarely make coherent sense in any literal construct, but when the whole point is to be deliberately challenging in order to represent the complexities of the gender binary, that's kind of the point.

Nom Nom Vajayjay

Post-feminist hard core. Dykes on guitar. Dykes on bass. Dykes on drums. Dykes on vocals.

Tamponstry

Tamponstry is angry, angsty and passionate, a quarter of the time. The rest of the time, expect artsy tunes that resemble folk music. The lead singer once locked herself in a dressing room for a week. Those in the audience that were patient were treated to what they called " the best show on estrogen"