Joseph Pendelton's Beefeater Band featuring Morgan Graflington

The world's first prog rock/polka hybrid band incorporates state-of-the-art sound effects with a dose of good old fashioned accordion-driven auditory spectacle. One could never accuse the group of aiming low, as evidenced by a multitude of sweeping concert length songs that often pass the ten minute mark. Lead gutarist Graflington is kept busy for the majority of the show, standing behind a small tower of computers that produce the sonic backdrop upon which the sprawling accordion solos, the band's trademark, are built.

With song titles like "Twenty-Third Century Centaur" and "Eleven Hundred Woodchucks Baked in a Pie", the band revels in deliberately verbose titles, having never met an adjective, nor a noun it didn't like. Album covers are produced by the band's drummer, who took a class in collage art at a community college. Said community college happens to also be the location by which the group found itself with an only slightly used and only slightly stolen timpani, which is used frequently and meant to add a symphonic sense of theatricality to the proceedings.